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The price is worth it
Acher
9 Rue de la Violette, 4000 Liège
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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LES BRUITS VIENNENT DE L’EXTÉRIEUR ET DE L’INTÉRIEUR
#5
Etiennette Plantis
Open call
11298 Rue de la Cathédrale
« I’m a collector, it is my first artistic practice. My collection, on which I have been working, rests on the great utopia of holiday villages. Besides the expected aspect of travelers out enjoying themselves, there is a sociological lexicon, an architecture, a physical and mental connection linked to these spaces that deeply disconcert me and that I like : azure blue, stripes, the very cheap materials of the furniture, “artworks“ thrown here and there to play to the gallery, the color of the curtains and the overzealousness, naivety too. My work organizes itself like a fake scenery with a singular and hierarchical order. As a system that would have no more limit, leading to a heterogeneous installation, a juxtaposition of elements, a multitude of artefacts, pilings on the ground, on the wall, varieties of textures, fabrics, ceramics, paint, carpet, a composition of different uses. The paint is then sprayed, catapulted, collapsing, it is subject to visual dissidences but nonetheless responds to a classic and traditional pictorial language. A singular and hybrid vocabulary calls the tune towards a repertoire of shapes, full of freedom, pleasure and enjoyment. The motif is built up archaically, as a reference to the history of collage. The division of gestures isolates signs and establishes other plastic elements of language : a compromise between serious parody and happy irony. The analysis of my photographic collection of lost paradises, collective illusion, widespread denial, exaggerated conformism is at the heart of my work. Questioning unreachable hopes, projections linked to curious spaces, to hopeless materials, creating a universe of resurgences, objects of desire, mysterious wishes, and a casual contemplation. And you ? How do you imagine happiness ? »