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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Le caillou
#6
Laurent Danloy
Curator : Maxime Moinet
1284 Rue de la Cathédrale
Travelling plastic artist… seeking all types of landscapes… inside, outside… as long as they match in a moment of creation. Painting, drawing, carving… are so many ways to skim through the possible. In his artwork, a great emphasis is placed on the accident : « I can let it be but also provoke it. It is an integral part of my work. »
Behind the resulting images… an oscillation, between two forces… dense, misty… between the top, the bottom… the detachment, the connection… But certainly this power to start from the visible to draw its hidden side from it. I think that Laurent Danloy here gives a meaningful trajectory to his work…
« In my way of working, I always start from reality. This reality can start from two curves from which I can detach myself very quickly. For me, reality is what I can see and touch. This being said, a feeling can be real. »
It is precisely when Laurent’s artistic work uncovers… in the deconstruction of this reality that shines a light on the invisible…
« I may very well film the inertia of a stone or paint a rock and have the impression that it levitates. »
« As a child, I was fascinated by the small car dealers where there was one car in the window. I used to wonder how they managed to insert such a large thing through the door. For this project, I started from this memory and to progress into the absurd or the poetry, I wanted to present something unsellable in a store window… ». (Laurent Danloy)