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Histoires simples
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107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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quand
#6
Valentina Perazzini
Open call
138129 Rue Saint-Gilles
Metaphor of the slow disasters, Valentina Perazzini’s installation Quand is the chronicle of a disaster foretold. Heirs of a civilization that mistreated nature way too much, helium-filled balloons seeking escape are recaptured by a ceiling that vows them to an ineluctable destiny. Once tired, they will initiate their ineluctable descent, they will encounter what nature left behind for them : a row of cactus.
Is it only the story of a slow agony ? The description of a day after a party, in which deflated balloons of the day before cover the floor only retaining melancholy inside their rubber skin ? Or on the contrary is it the story of a transformation of the world when the balloons, pierced by thorns, will recreate alongside the plants that hated them a balance where fate and heritage mingle ?
In resonance with the current sanitary and political situation, Quand, once interrogative, titillates the interface between reality and fiction, and creeps into the cracks between conscious and unconscious. Valentina Perazzini is a multidisciplinary artist who feeds her quest for the world of literature and nature. She presents a new piece on the theme of the impossibility of the true encounter and its sublimation.
The cactus, rented in Liege, account for the ambiguous connection between mankind and its environment. Between protection and reification…

