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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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GRIMACES
#7
Fabien Boitard
Curator : Sandrine Bouillon
15241 Passage Lemonnier
« I have been working on a update of the genres in painting since 1997… Nude, portrait, landscape, still life, vanity, etc. in a mix of techniques, ways of placing the paint on the canvas or perceiving it and always oil-based. Support called “ classic or traditional ”. The Grimaces presented here enabled me to work on the Genre of portrait nowadays. I tried to treat these figures the way we treated the people during the large Gilets jaunes protests of 2019 with the intention of mistreating the faces using paint. In total, it is a series of over fifty Grimaces that came to light in two years.
They are also a place of pictorial testing where I try to extract an expression by mistreating the material, the way the faces of the protestors were mistreated. These grimaces are as varied as the representatives of the popular anger. Women, children, teenagers, black, old, men. The amount is significant and this series is still ongoing. It has been partly exhibited at the M.O.C.O of Montpellier (France) in October 2021 for the collective exhibition SOL, commissioned by Nicolas Bourriaud. »

