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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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GRIMACES
#7
Fabien Boitard
Curator : Sandrine Bouillon
15241 Passage Lemonnier
« I have been working on a update of the genres in painting since 1997… Nude, portrait, landscape, still life, vanity, etc. in a mix of techniques, ways of placing the paint on the canvas or perceiving it and always oil-based. Support called “ classic or traditional ”. The Grimaces presented here enabled me to work on the Genre of portrait nowadays. I tried to treat these figures the way we treated the people during the large Gilets jaunes protests of 2019 with the intention of mistreating the faces using paint. In total, it is a series of over fifty Grimaces that came to light in two years.
They are also a place of pictorial testing where I try to extract an expression by mistreating the material, the way the faces of the protestors were mistreated. These grimaces are as varied as the representatives of the popular anger. Women, children, teenagers, black, old, men. The amount is significant and this series is still ongoing. It has been partly exhibited at the M.O.C.O of Montpellier (France) in October 2021 for the collective exhibition SOL, commissioned by Nicolas Bourriaud. »

