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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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MIDNIGHT MOCHI
#7
Ian Bruner • Lucie Lanzini • Paul Lepetit • Kahina Loumi • Clémence Mauger • Hélène Moreau • Reiji Saito • Sookyun Yang
Curator : Collectif À Venir
15320 Rue de l'Université
Midnight Mochi collective exhibition displays a fragmented architectural space where surfaces and textures prevail over an impossible overview. Blurred details and enigmatic lines draw an imaginary construction. In the comfort of pastel waves, the artworks drag each other into a joint metamorphosis.
Hélène Moreau plunges our eye into a deep mint blue vibe. Her archeologist’s sight adjusts our vision to the panorama of artworks standing in front of us. In the center, a melting heart idealizes a transitory society : Paul Lepetit’s sculptures work as drawings trapped in space, tracing the silhouettes of half-functional, half-decorative characters. These hesitant figures disturb the reality of concreteness and solidity. Both artificial and poetic, as the work of Ian Bruner : narrative compositions underlying the apathy towards environmental damage. Lucie Lanzini’s sculpture conveys the memory of disappearing textures, through the casting of decorative elements from architectural spaces.
The liberated figures on the walls turn into attitudes of pleasure. The joyful colors of Kahina Loumi on shaped canvas work as abstract windows. Clémence Mauger dilutes floral landscapes, inspired by her nighttime observations. Shapes being on the tip of disappearance, light becomes a key element. Sookyun Yang produces forms that emancipate from gravity. Her video shows the making process using virtual reality, a digital craft with hypnotic movements. In the background, Reiji Saito offers a visual experience of detachment, a daydream focusing on the details that everyday life piles up in front of our eyes.