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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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POSTCARDS FROM…
#7
Charlotte Nieuwenhuys
Curator : Maxime Moinet
167159 En Féronstrée
« My work usually gravitates around painting and drawing. One can read my approach from the perspective of subjective abstraction, exposing the poetry in painting to psychological and sociocultural notions. The connection between the human being and the space is also a key topic in my work.
The artwork starts with three proses, both abstract and melancholic. They relate the quest for gentleness in a quarantine tinged with doubts and uncertainties about the future. Search for poetry in the domestic sphere, since we can’t go outside, we will hence go for a walk incognito in the blue night.
…a psychological ruin that recaptures us at dawn, each day. Nostalgia of the past and a more emancipated world. The canvas talk about the night, always blue as it makes us dream. Direct reference to Y. Klein’s artwork that talked about the void so well. In this blue, here predominant, the ambivalence between oneirism and anxiety is amplified. Blue like an abyss, also.
Abstract balconies, in weightlessness, showing the distance between the world and us. An observant side, almost voyeur, interpret facing the universe that looks huge to us since it is about existential planetary problems that we have a hard time facing.
A semi-abstraction that narrates a state of mind between ruin and rationalism. The inclusion of more figurative details like the naïve starry skies and the flying saucers yet illustrates this abstract universe. Reference to comics and video game drawing that emphasizes the search for hobbies as a way out…
Lastly the postcards, endowed with prose messages, sometimes about memories, sometimes about feelings, talk about a will to get in touch with someone else, and reveal the psychological fragility that obsess us currently. Outside the windows, below these elevated skies and balconies, the cards are available to all bystanders. As coming from nowhere or somewhere else : Postcards from… »