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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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POSTCARDS FROM…
#7
Charlotte Nieuwenhuys
Curator : Maxime Moinet
167159 En Féronstrée
« My work usually gravitates around painting and drawing. One can read my approach from the perspective of subjective abstraction, exposing the poetry in painting to psychological and sociocultural notions. The connection between the human being and the space is also a key topic in my work.
The artwork starts with three proses, both abstract and melancholic. They relate the quest for gentleness in a quarantine tinged with doubts and uncertainties about the future. Search for poetry in the domestic sphere, since we can’t go outside, we will hence go for a walk incognito in the blue night.
…a psychological ruin that recaptures us at dawn, each day. Nostalgia of the past and a more emancipated world. The canvas talk about the night, always blue as it makes us dream. Direct reference to Y. Klein’s artwork that talked about the void so well. In this blue, here predominant, the ambivalence between oneirism and anxiety is amplified. Blue like an abyss, also.
Abstract balconies, in weightlessness, showing the distance between the world and us. An observant side, almost voyeur, interpret facing the universe that looks huge to us since it is about existential planetary problems that we have a hard time facing.
A semi-abstraction that narrates a state of mind between ruin and rationalism. The inclusion of more figurative details like the naïve starry skies and the flying saucers yet illustrates this abstract universe. Reference to comics and video game drawing that emphasizes the search for hobbies as a way out…
Lastly the postcards, endowed with prose messages, sometimes about memories, sometimes about feelings, talk about a will to get in touch with someone else, and reveal the psychological fragility that obsess us currently. Outside the windows, below these elevated skies and balconies, the cards are available to all bystanders. As coming from nowhere or somewhere else : Postcards from… »