-
À la loupe
Werner Moron
7 Rue de l'Official
-
Cloakroom
Charlotte Delval
37 Rue Souverain Pont
-
Biospheric City
Xavier Mary
25 Rue Saint Paul
-
This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
-
Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
-
Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
-
Between Two
Adrien Milon
31b Rue de la Cathédrale
-
Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
-
Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
-
À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
-
One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
-
Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
-
Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
-
Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
-
Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
-
Peek
Raphaël Meng WU
75 Rue Hors-Château
-
Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
-
Brownfields
Cesare Botti
108 Féronstrée
-
Never Finished
Dirk Bours
84 Féronstrée
-
Empty Reflections
Jason Slabbynck
21 Pont d'Île
-
On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
-
Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
-
Untitled
Reza Kianpour
14 Rue de la Populaire
-
Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
-
Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
Please like me #1
#9
Margaux Blanchart
Curator: Anna Ozanne
1996 Rue Saint-Adalbert
A graduate of the Fine Arts of Liège (ESAVL, 2021), Margaux Blanchart uses the image that we reflect of ourselves and tools that are social networks, as fields of experience. The visual artist, who only uses herself as a model, appears and disappears from one artwork to another, performing attitudes borrowed from our contemporary stereotypes or embodying ambivalent but free images that emerge, circulate or yet persist.
In Please like me #1 (1), the artist pushes, not without a touch of humor, the experience of the selfie (photographic self-portrait made with a smartphone and shared with other people on social networks) into a video performance that catalyzes the expectations and the frustrations of an anonymous character (or one of the artist’s doubles?).
This situation echoes the daily life of any artist whose auto-entrepreneurship represents the main part of the activity: sending applications for artistic prizes (recognition), for exhibitions or to be defended by a gallery (visibility), for scholarships or funds to create and design. Selling oneself, making oneself attractive, capturing attention, being loved: Please like me!
While Narcissus seeks the validation of his reflection by the others (this implacable crowd), and while artist Andy Warhol predicted (1968) 15 minutes of glory for everyone, we remember that the practice of the portrait constituted, from his birth, most of his production (a 15-minute break was then necessary). The doubt distilled between reality and fiction, between physical, private and public spaces, extends into the virtual space of the Instagram account « utilisateur2937 », regularly fed with selfies throughout Art au Centre.
(1) The Please like me project is deployed in two windows and an Instagram account @utilisateur2937. Please like me #1 will be followed by Please like me #2 on the next issue (AAC#10).

