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1 Féronstrée
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Night Walk
Maria Chiara Ziosi
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
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MANTERO
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Mobile Écriture Automatique
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ST END
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
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Centre de remise en forme (économie de guerre)
Werner Moron
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
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14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
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Room Eater
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Behind the Curtain
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31b Rue de la Cathédrale
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COMMENT
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16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Please like me #1
#9
Margaux Blanchart
Curator: Anna Ozanne
1996 Rue Saint-Adalbert
A graduate of the Fine Arts of Liège (ESAVL, 2021), Margaux Blanchart uses the image that we reflect of ourselves and tools that are social networks, as fields of experience. The visual artist, who only uses herself as a model, appears and disappears from one artwork to another, performing attitudes borrowed from our contemporary stereotypes or embodying ambivalent but free images that emerge, circulate or yet persist.
In Please like me #1 (1), the artist pushes, not without a touch of humor, the experience of the selfie (photographic self-portrait made with a smartphone and shared with other people on social networks) into a video performance that catalyzes the expectations and the frustrations of an anonymous character (or one of the artist’s doubles?).
This situation echoes the daily life of any artist whose auto-entrepreneurship represents the main part of the activity: sending applications for artistic prizes (recognition), for exhibitions or to be defended by a gallery (visibility), for scholarships or funds to create and design. Selling oneself, making oneself attractive, capturing attention, being loved: Please like me!
While Narcissus seeks the validation of his reflection by the others (this implacable crowd), and while artist Andy Warhol predicted (1968) 15 minutes of glory for everyone, we remember that the practice of the portrait constituted, from his birth, most of his production (a 15-minute break was then necessary). The doubt distilled between reality and fiction, between physical, private and public spaces, extends into the virtual space of the Instagram account « utilisateur2937 », regularly fed with selfies throughout Art au Centre.
(1) The Please like me project is deployed in two windows and an Instagram account @utilisateur2937. Please like me #1 will be followed by Please like me #2 on the next issue (AAC#10).

