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Vertical environnement
François Winants
27 Rue de la Casquette
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Censorship
Bram Van Meervelde
44 Rue Saint-Gilles
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The Poetics of Space
Ariane Toussaint
29 Rue de l'Université
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PRIVACY’S ARCHEOLOGY
Niels-Jan Tavernier
Place de la République Française, 23
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Braced under the heating sun
Melissa Ryke
5 Rue Chéravoie
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Modèles réels, arrangements accidentels
Griet Moors
14 Rue de la Sirène
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Lion #15 (Melancholy Baby)
Daisy Madden-Wells
100 Rue Saint-Gilles
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VOUS ÊTES ICI
Les Rayons
Interventions visibles sur des vitres de voiture
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In exile
Guda Koster
1 En Féronstrée
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Icing
Sanne Kabalt
Rue Matrognard, 2
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Un paysage inconnu mais familier
Dayoung Jeong
5 Place des Déportés
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URBAN RHYTHMS
Marjolein Guldentops
129 Rue Saint-Gilles
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À propos
Johan Gelper
41 Passage Lemonnier
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Support Vitrine
Bart Geerts
11 Rue de Bex
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La dernière pluie
Julia Gault
9 Passage Lemonnier
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CAMO
Lionel Estève
25 Rue Saint Paul
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STATIONS
Apolline Ducrocq
50 En Féronstrée
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Zoning gris, glaner la ville, vivre le bois
Jonathan De Winter
31B Rue de la Cathédrale
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Trophée
Estelle Deschamp
137 En Féronstrée
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Debt Ceiling
Bob Demper
4 Rue de la Cathédrale
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LOG 1 : SAUVE-GARDES
Paul Cottet
15 Rue Saint-Gilles
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Pluie N20, depuis la terre…
Collectif Nuiits Delphine Dubois and Juliane Lavis
Hôtel de la Cour de Londres 40 Rue Hors-Château
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SANS TITRE
Olivier Bovy
85 Rue de la Cathédrale
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a l é a s
Jérôme Bouchard
31A Rue de la Cathédrale
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Please like me #1
Margaux Blanchart
6 Rue Saint-Adalbert
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antizenithale
Marc Angeli and Ronald Dagonnier
16 Rue du Palais

antizenithale
#9
Marc Angeli and Ronald Dagonnier
Curator : Philippe Braem
19816 Rue du Palais
Nature has an important place in the serene and monochrome painting of Marc Angeli. On carefully selected wooden supports, he mixes pigments with pollen, resin, honey, rabbit skin glue, olive oil or wine.
And time is ripening.
Ronald Dagonnier focuses on digital art, which often dramatically denounces the abundance of images and the dictatorship of algorithms. In a new project, he reworks the conflicting dialogue between the Hal 9000 computer and the astronaut Bowman from Space Odissey 2001. In previous artworks, he confronts the viewer with an indigestible maelstrom of images.
And time flies.
At first glance, Ronald Dagonnier’s digital art seems diametrically opposed to Marc Angeli’s quiet and timeless artwork.
In this antizenithal (expression invented by Ronald Dagonnier) artwork, time, shaped by a series of LEDs, scrolls like the passage of the sun’s rays casting their shadows along Marc Angeli’s artwork.
It is only when the sun has set that Dagonnier’s intervention becomes clearly visible. Angeli’s meditative painting finds a surprising accomplice in Ronald Dagonnier’s infratemporal installation.