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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Du béton du métal dont sont faites vos parois
#13
Anaïs Lapel
Artist selected as part of the open call
3141 En Féronstrée
“To build our house, let’s choose a hill. The Japanese have always built at the foot of mountains or at the bottom of valleys. They like low places.
– It’s true, dad. You’re right. It’s true that in the pictures, the foreigners’ houses are always high up. However, those of the Japanese are less visible.
– There is a reason for that. Japan experiences earthquakes and typhoons. Wooden houses would not withstand winds and tremors. This is why they are built in places that are less exposed to these risks. But it is not the only reason.
The Japanese, you know, prefer soft clarity to bright light. They curl up in the darkness. They like to live in contact with nature. This is why they could never get used to stone houses.
– I understand. I don’t like stone houses either. It’s cold. I do not like.
– Yes, but we need to qualify a bit. The wooden house certainly suits the Japanese. But when an entire people adopt it, it can make us weak and fickle. The character and strength of foreigners are nourished by stones, iron and concrete of which their homes are made.”
Excerpt of a dialogue from the movie Dodes’ka-den, Akira Kurosawa, 1970.