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Cristina Mirabilis
Academy of Fine Arts of Catane
137-139 En Féronstrée
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SpringMerz
Marion Voegelé
31a Rue de la Cathédrale
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Wafel de Liège
Jannes Lambrecht & Mirthe Vermunicht
100 Rue Saint-Gilles
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Signing To A Spitting Image
Rémie Vanderhaegen
6 Rue Gérardrie
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A Fragile Relationship In A Sturdy Façade
Jeannette Slütter
11 Rue de Bex
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Chambre, vue
Pierre-Alain Poirier
14 Rue de la Sirène
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Midnight Leaves
Bettina Marx
28-30 Boulevard d'Avroy
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Gravats
Lucile Marsaux & Théo Philippot
107 En Féronstrée
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Ambient, Aberrant
Sonia Mangiapane
7b Rue des Carmes
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Avis de tempête
Camille Lemille
159 En Féronstrée
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An Enchanted Break
Cristina Lavosi
9 Rue de la Violette
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Du béton du métal dont sont faites vos parois
Anaïs Lapel
1 En Féronstrée
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Cathédrale
Axel Janssen
16 Rue du Palais
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Always Stuff, Four Blue Office Chairs
Gilles Hellemans
32 Rue de la Régence
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Figure
Bruce Formanoie
100 Rue de la Cathédrale
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Étendue 02
Elisa Florimond
85 Rue de la Cathédrale
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L’été sera brûlant
Sarah Feuillas
3 Rue de la Cathédrale
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No, no ! Only as fast as possible without stress
Jan Duerinck
44 Rue Saint-Gilles
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Carpeaux
Patrick Corillon
25 Rue Saint Paul
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Traveling Tales
Tamuna Chabashvili
40 Rue Hors-Château
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Double exposition
Bertrand Cavalier & Fabien Silvestre Suzor
31b Rue de la Cathédrale
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WELCOMCOM
Ondine Bertin
4 Rue de la Cathédrale
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Leakage
Yasmina Assbane
5 Rue Chéravoie
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Onsite Website : The Official Emoji Shop
Éloïse Alliguié
29 Rue de l'Université
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Du béton du métal dont sont faites vos parois
#13
Anaïs Lapel
Artist selected as part of the open call
3141 En Féronstrée
“To build our house, let’s choose a hill. The Japanese have always built at the foot of mountains or at the bottom of valleys. They like low places.
– It’s true, dad. You’re right. It’s true that in the pictures, the foreigners’ houses are always high up. However, those of the Japanese are less visible.
– There is a reason for that. Japan experiences earthquakes and typhoons. Wooden houses would not withstand winds and tremors. This is why they are built in places that are less exposed to these risks. But it is not the only reason.
The Japanese, you know, prefer soft clarity to bright light. They curl up in the darkness. They like to live in contact with nature. This is why they could never get used to stone houses.
– I understand. I don’t like stone houses either. It’s cold. I do not like.
– Yes, but we need to qualify a bit. The wooden house certainly suits the Japanese. But when an entire people adopt it, it can make us weak and fickle. The character and strength of foreigners are nourished by stones, iron and concrete of which their homes are made.”
Excerpt of a dialogue from the movie Dodes’ka-den, Akira Kurosawa, 1970.