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Histoires simples
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107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Mécanique d’un mur
#14
Raphaël Maman
Artist selected as part of the open call
3359 Passage Lemonnier
The window space is much more than a simple interface between the interior of a store and the outside world. It is a silent theater where objects come to life without ever leaving their place. The window is the art of showing without touching, of revealing without unveiling, creating a particular tension between the real and the projection of the real. It is a theatrical stage where the outlines of our daily lives take shape and where mechanisms activate before our eyes.
This installation titled Mécanique d’un mur involves building a wall made of cardboard with the same dimensions as concrete blocks and erecting it using mechanical grease. Installed from floor to ceiling, it faces the viewer, offering a view from the street of a construction resembling the foundations of the building above it. Over the course of the exhibition, the grease infiltrates the fibers of the cardboard and reveals the usual effects of mortar on the stability of a construction.
This installation also evokes the principle of bricking up; an act that seals the opening of a door or window and reinforces the metaphor of the desertification that currently affects the city of Liège. In this changing environment, where commercial spaces transform into cold lifeless walls, the installation becomes a testimony to the ongoing urban transformation.
This “production” reveals the generally invisible backstage of our daily environment. Passersby are invited to contemplate the very essence of a construction and the complex mechanisms that underlie it, and to consider their living space in a new way by appreciating the silent drama that unfolds around them every day.