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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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22 empans et 1 palme
#14
Leïla Pile
Artist selected as part of the open call
34275 Rue Hors-Château
Leïla Pile’s work starts with the spatial context. Her textile practice is conceptual, performative and artisanal. She surveys places using her most personal tool: her body. The measuring process is a sensitive exploration and understanding of the scales and spaces that surround her.
Here, the artist applies her working protocol to the interior space of the window. With her hand, whose thumb and pinkie are imbued with pigment, she follows a line, traces it and reveals it. It’s a gesture that brings out the width of the room. The artist’s body becomes a unit of measurement, the span of her hand marks her own journey. Like writing, a succession of imprints appears through the windows.
A second line (replica of the previous one) has been woven. The warp* threads were previously stretched directly in space to adjust to its width as precisely as possible. Folded upon itself and arranged in the shop window, the woven strip materializes the actual, flexible and transposable measurement of the invested space. It becomes its archive. In parallel, the path traced with her fingers is reproduced in this strip.
* The warp is the set of threads in a fabric arranged parallel to the length of the fabric, through which the weft threads pass perpendicularly.