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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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22 empans et 1 palme
#14
Leïla Pile
Artist selected as part of the open call
34275 Rue Hors-Château
Leïla Pile’s work starts with the spatial context. Her textile practice is conceptual, performative and artisanal. She surveys places using her most personal tool: her body. The measuring process is a sensitive exploration and understanding of the scales and spaces that surround her.
Here, the artist applies her working protocol to the interior space of the window. With her hand, whose thumb and pinkie are imbued with pigment, she follows a line, traces it and reveals it. It’s a gesture that brings out the width of the room. The artist’s body becomes a unit of measurement, the span of her hand marks her own journey. Like writing, a succession of imprints appears through the windows.
A second line (replica of the previous one) has been woven. The warp* threads were previously stretched directly in space to adjust to its width as precisely as possible. Folded upon itself and arranged in the shop window, the woven strip materializes the actual, flexible and transposable measurement of the invested space. It becomes its archive. In parallel, the path traced with her fingers is reproduced in this strip.
* The warp is the set of threads in a fabric arranged parallel to the length of the fabric, through which the weft threads pass perpendicularly.