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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
#14
Florian Schaff Marvyn Brusson
Curator : BAL (Beaux-Arts de Liège)
3451 Rue Courtois
Florian Schaff will tell you he often wants to work ceramics when in a carpentry workshop… Could tools or materials swap purposes? His work seems to grow from such reveries. Which then consists of crafting seriously in non-serious ways: an unconventional use of tools and materials gives them a chance to tell something else. He draws from raw carving material and highlights the slow degradation of these materials. They become physical extensions of disappearance… The passage of the object in its track?
Time track
Marvyn Brusson will tell you he turned towards a contemplative vision of his work on time: his art installation showcased at the Liège Fine Arts department in the Botanique highlights the erosion process of materials. An Y-Tong block suspended above a blue stone carved in the shape of a bowl, a stream of water flowing endlessly through the block which ends its course in the blue stone’s pit… The viewer will witness this progressive swap between the full matter of the block and the bowl’s hollow. It also showcases the increasing pollution of natural stone by the residues of the white composite block…