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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Around The Corner
#16
Zena Van den Block
Artist selected as part of the open call
39435 Rue Souverain Pont
The work ‘Around The Corner’ that is being presented as part of Art au Centre Liège 16 explores themes of urban change, human presence, and the overlooked beauty of daily life. It is displayed in the vitrine of an empty shop, where a section of wall and pavement is recreated using imitation materials, such as wallpaper with a brick print. This artificial urban landscape becomes a stage for re-enacting scenes observed in the street.
Everyday situations that typically occur as a result of accidents, coincidences, and human presence are emphasized. New elements are gradually added over time, echoing the organic, unpredictable evolution of urban environments. For example, a dropped ice cream may become part of the scene, inviting viewers to reflect on impermanence and the humor in everyday mishaps. The staged setting evolves throughout the duration of the exhibition, with each new addition building on the previous ones to create a layered narrative of transformation and change.
The evolving nature of the artwork reflects the rhythms of city life, where change is constant yet often unnoticed. By presenting these transformations in a controlled environment, attention is drawn to the beauty and humor of everyday occurrences. The vitrine acts as a frame, encouraging viewers to consider the contrast between staged and real urban scenes.
This project builds on a broader artistic practice focused on uncovering the poetic potential in the mundane. Familiar elements are isolated and recontextualized to encourage closer observation of surroundings. Humor and accessibility are utilized as entry points, leading to reflections on time, memory, and human presence.