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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Around The Corner
#16
Zena Van den Block
Artist selected as part of the open call
39435 Rue Souverain Pont
The work ‘Around The Corner’ that is being presented as part of Art au Centre Liège 16 explores themes of urban change, human presence, and the overlooked beauty of daily life. It is displayed in the vitrine of an empty shop, where a section of wall and pavement is recreated using imitation materials, such as wallpaper with a brick print. This artificial urban landscape becomes a stage for re-enacting scenes observed in the street.
Everyday situations that typically occur as a result of accidents, coincidences, and human presence are emphasized. New elements are gradually added over time, echoing the organic, unpredictable evolution of urban environments. For example, a dropped ice cream may become part of the scene, inviting viewers to reflect on impermanence and the humor in everyday mishaps. The staged setting evolves throughout the duration of the exhibition, with each new addition building on the previous ones to create a layered narrative of transformation and change.
The evolving nature of the artwork reflects the rhythms of city life, where change is constant yet often unnoticed. By presenting these transformations in a controlled environment, attention is drawn to the beauty and humor of everyday occurrences. The vitrine acts as a frame, encouraging viewers to consider the contrast between staged and real urban scenes.
This project builds on a broader artistic practice focused on uncovering the poetic potential in the mundane. Familiar elements are isolated and recontextualized to encourage closer observation of surroundings. Humor and accessibility are utilized as entry points, leading to reflections on time, memory, and human presence.