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Around The Corner
Zena Van den Block
35 Rue Souverain Pont
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VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
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Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
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The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
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QuickSnap
Camille Poitevin
40 Rue Hors-Château
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P.O.F
Ronan Marret
75 Rue Hors-Château
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Belles récompenses
Mathilde Manka
159 Féronstrée
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Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
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Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
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À mon seul désir
Gral
32 Rue de la Cathédrale
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Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
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Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
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Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
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Pie in the sky
Justine Corrijn
20 Rue de la Sirène
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Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
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Dés-Affectations
Elie Bolard
84 Féronstrée
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Kader / Cadre
Doris Boerman
29 Rue de l'Université
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Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
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Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
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Terres battantes
Camille Barbet
100 Rue de la Cathédrale
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The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
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J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
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my belongings
Celine Aernoudt
5 Rue Chéravoie
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Si tu me vois
#16
Aurélie Belair
Artist selected as part of the open call.
37656 Rue Saint-Gilles
Si tu me vois (2023 – 2024) is an installation composed of clay fish, reduced to enigmatic forms, scattered across the ground like in rare, documented phenomena of animal rainstorms.
On March 8, 2023, coinciding with International Women’s Day, a rain of fish fell upon the Australian town of Lajamanu. During this unusual meteorological phenomenon, animals are swept up in tornadoes and carried over great distances before falling back to the ground during heavy rainstorms. The troubling strangeness of this meteorological phenomenon arises not only from the territorial displacement of the species (from underwater to the sky) but mostly from the fact that some fish landed alive. Our current ecofeminist generation can interpret this phenomenon as a prophetic sign. Art au Centre displays this story, real in its factual basis but fictional in its surreal nature and artistic transposition, to question our interdependencies. Behind the window, the installation reveals a pre-apocalyptic landscape of which we remain mere spectators. As a freeze-frame, it captures a memory of the future.
The title refers to the “hunger stones”, which serve as hydrological markers. Located in riverbeds, these stones become visible only when water levels are extremely low. They are monuments that commemorate or portend famines. Installed or engraved during times of severe drought, they act as warnings: for instance, a rock in the Elbe River in Děčín, Czech Republic, bearing the inscription “Wenn du mich siehst, dann weine” (“If you see me, then weep”), reappeared in August 2022.