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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Room Eater
#17
Jorge de la Cruz
Artist selected as part of the open call
4005 Rue Saint-Michel (Îlot Saint-Michel)
A Room Eater is a passive predator. A quiet presence that feeds little by little on everything around it, even the emptiness itself. When a Room Eater is big enough it can’t be destroyed, is eternal. The only way to deal with a huge Room Eater is living inside it as a parasite outside the time and matter. This is the main concept of vacuum cannibalism.
I was born in 1983 in Madrid, Spain, but I grew up in the country, surrounded by mountains, plants and animals. Since I was a child it was difficult for me to understand some simple concepts such as time, death or language. It was a tough task for me to relate with people and to connect words with their respective objects. So I usually got lost in fantastic worlds full of creatures and monsters that I mentally built to escape from reality. I was both fascinated and terrified by the darkness, maybe not by the darkness itself but by all the mysteries hidden within. Somehow there was something so peaceful in those desolated worlds that I almost obsessively couldn’t stop capture it in drawings and small sculptures, but also something scary, pure and real, although I wasn´t able to explain it.