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Around The Corner
Zena Van den Block
35 Rue Souverain Pont
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VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
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Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
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The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
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QuickSnap
Camille Poitevin
40 Rue Hors-Château
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P.O.F
Ronan Marret
75 Rue Hors-Château
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Belles récompenses
Mathilde Manka
159 Féronstrée
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Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
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Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
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À mon seul désir
Gral
32 Rue de la Cathédrale
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Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
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Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
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Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
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Pie in the sky
Justine Corrijn
20 Rue de la Sirène
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Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
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Dés-Affectations
Elie Bolard
84 Féronstrée
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Kader / Cadre
Doris Boerman
29 Rue de l'Université
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Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
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Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
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Terres battantes
Camille Barbet
100 Rue de la Cathédrale
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The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
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J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
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my belongings
Celine Aernoudt
5 Rue Chéravoie
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Хліб насущний (Le pain quotidien)
#2
Maria Vita Goral
Open call
32159 En Féronstrée
After studying painting in Lviv, Maria Vita Goral moved to Liege in 2018 and continued her studies at the Académie Royale des Beaux-Arts. In her multidisciplinary work, she uses objects and images of our daily life to raise historical, symbolic, psychological and anthropological questions.
Her installation Хліб насущний, Le pain quotidien in French, suggests a spiritual journey made of various sensorial sequences. All kinds of bread, loaves and embroidered pieces of fabrics with the dates of the wars or genocides pile up in the window. The crusts of the bread are marked with digits and words of varied sources and origins. White finely embroidered fabric and a spot of light are forming the background. The additional senses that the observer injects according to his experience and his personal perception naturally add to this teeming production. The artist invites to question the notion of human values (official, imaginated, simulated, real, moral…).
« One is always ungrateful to give the necessary, never to give the superfluous. We are mad at the one who gives you the daily bread, we are grateful to the one who gives you jewelry. » (Victor Hugo)