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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Anatomy of absence
#3
Antoine de Winter
Curator : Maxime Moinet
4865 Rue de la Cathédrale
« Anatomy of absence is a plastic artwork on memory.
Three years ago, I started to gather images. At that time, I was coming back from a three-month solo trip across the United States. I paced up and down the roads from New York to California with the idea of losing myself. Fifteen days before the end of my trip, all my images disappeared.
Each time I convoked these memories and facing the absence of images, these memories sought a material consistency. Thanks to photographic and plastic techniques, I wanted to manage to decompose the mental transformation of a memory by carrying out a process on the physical image. Pared-down, damaged, essence-based, the image turns into something else. The images were captured using traditional methods, then reprinted, rephotographed, then developed again up to the point of becoming a nearly immaterial object, far from the initial object.
The polyptych crossed by the light creates a visual echo that spreads into fragments that move in space.
In this work of reproduction, my idea was to insert a controlled error, a defect, a crack. By sequencing a single image on a glass plate using various corrosives that physically degrade the photographic object, I was able to make another image appear, sometimes simplified, sometimes more complex.
I designed Anatomy of absence to propose a poetic collection of images that recounts the itinerancy of a trip and a practice. »