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Around The Corner
Zena Van den Block
35 Rue Souverain Pont
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VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
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Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
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The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
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QuickSnap
Camille Poitevin
40 Rue Hors-Château
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P.O.F
Ronan Marret
75 Rue Hors-Château
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Belles récompenses
Mathilde Manka
159 Féronstrée
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Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
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Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
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À mon seul désir
Gral
32 Rue de la Cathédrale
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Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
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Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
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Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
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Pie in the sky
Justine Corrijn
20 Rue de la Sirène
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Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
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Dés-Affectations
Elie Bolard
84 Féronstrée
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Kader / Cadre
Doris Boerman
29 Rue de l'Université
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Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
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Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
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Terres battantes
Camille Barbet
100 Rue de la Cathédrale
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The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
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J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
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my belongings
Celine Aernoudt
5 Rue Chéravoie
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Cristina Mirabilis
#13
Academy of Fine Arts of Catane
Curator: Francesco di Vincenzo
325137-139 En Féronstrée
Christine was never beatified by the Catholic Church but she is venerated as: a saint in Belgium in Limburg and Flemish Brabant; spiritual guide of the most important men of her time and consequently controlled by the Inquisition; refuge and comfort for persecuted women; protagonist of miracles and marvelous events, hence the name-attribute of Mirabilis; inspiration for Dante Alighieri – see his poem Divina Commedia (the Divine Comedy) – and Nick Cave – see the song Christina The Astonishing.
Christina of Sint-Truiden is the protagonist who inspired the artists of the Academy of Fine Arts of Catania for this edition of Art au Centre. Her feminism is the same feminism of the early days, that of Hildegard of Bingen, for example, who lived at the same era in neighboring Germany. From the Amazonian civilization of history and mythology through the experiences of all these women who built sharing and protecting communities, Christina’s relationship with the Beguin convent emerges, another entirely feminine experience that characterized the communities of northern Europe, particularly Belgium.
Our window is a tribute to the figure of Christina and the mission that God assigned to her: redeeming the sins of humanity through personal sacrifice and suffering.