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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Uhoda Collection
#12
Fouad Bouchoucha Guillaume Bijl
Works from the Collection Uhoda
27925 Rue Saint Paul
Composition trouvée
Since the end of the 1980s, Guillaume Bijl has been exploring the boundaries between art and social reality in his artworks. In reference to Dadaism’s (art movement that appeared during the First World War and advocates freedom of creation) «found objects», the artist creates his «found compositions», a sort of archaeological still life of our contemporary society. These collections of banal objects – found in flea markets or vintage stores – are always thoroughly thought out and transform exhibition spaces into daily life spaces. Seen by the viewer as familiar environments, these “fragments of realistic and kitsch interior” are a way for the artist to confront the viewer with his own consumerism in a humorous and ironic way.

| White Cube rue Saint-Paul à Liège
| 2023-06
| Guillaume BIJL (1946, BE)
| Composition trouvée, 1992
| Installation
| Imitations parfaites de la réalité
Goodbye Horses 1
Goodbye Horses 1 is a replica model of artwork Goodbye Horses which was presented at the Palais de Tokyo in 2013. Fouad Bouchoucha designed a project around the Bugatti Veyron. 7L agency then created the computer-generated imagery of the project and supported to create the file which would make Bugatti the main partner for the production.
The artist convinced the manufacturer of “the fastest car in the world” to produce the object that would surpass its own potential and thereby prohibit its driving. From this process results an aesthetic and aerodynamic embellishing which perfects the faculties of the machine and obstructs at the same time all ways of visibility (headlights, front windshield). Dragged beyond its own limits, the modeled Bugatti is made unusable. Technology disconnected from its human use no longer makes sense here.

| White Cube rue Saint-Paul à Liège, 2023-07
| Fouad BOUCHOUCHA (1981, FR)
| Goodbye Horses 1, 2010
| Sculpture
| L’adieu à la course !