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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Le caillou
#6
Laurent Danloy
Curator : Maxime Moinet
1284 Rue de la Cathédrale
Travelling plastic artist… seeking all types of landscapes… inside, outside… as long as they match in a moment of creation. Painting, drawing, carving… are so many ways to skim through the possible. In his artwork, a great emphasis is placed on the accident : « I can let it be but also provoke it. It is an integral part of my work. »
Behind the resulting images… an oscillation, between two forces… dense, misty… between the top, the bottom… the detachment, the connection… But certainly this power to start from the visible to draw its hidden side from it. I think that Laurent Danloy here gives a meaningful trajectory to his work…
« In my way of working, I always start from reality. This reality can start from two curves from which I can detach myself very quickly. For me, reality is what I can see and touch. This being said, a feeling can be real. »
It is precisely when Laurent’s artistic work uncovers… in the deconstruction of this reality that shines a light on the invisible…
« I may very well film the inertia of a stone or paint a rock and have the impression that it levitates. »
« As a child, I was fascinated by the small car dealers where there was one car in the window. I used to wonder how they managed to insert such a large thing through the door. For this project, I started from this memory and to progress into the absurd or the poetry, I wanted to present something unsellable in a store window… ». (Laurent Danloy)