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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Le dragon dragone
#3
Sabrina Montiel-Soto
Curator : Philippe Braem
589 Rue du Pont
Transplant : the grafting of a tissue from one place to another, just as in botany a bud from one plant might be grafted onto the stem of another. The transplanting of tissue can be from one part of the patient to another (autologous transplantation), as in the case of a skin graft using the patient’s own skin ; or from one patient to another (allogenic transplantation), as in the case of transplanting a donor kidney into a recipient. (www.medicinenet.com)
The transplant : it is the word we use to refer to the protean work of Sabrina Montiel-Soto. Sculptures, drawings, objects, films and videos, collages, sound compositions, each used medium rebuilds itself and connects with others, through times and cultures. This assembling is never constraining. For Sabrina Montiel-Soto, these installations are “fragments of an individual story, seen from a personal perspective.” Her work and research result more from fiction than from a scientific approach. The artwork presented at Art au Centre is “a reflection on today’s world” articulated around old Belgian newspapers collected for one year without being read.
These newspapers, old volumes from the Libre Belgique, were for instance used to create a video, a film to be finished, a set of collages and now this sculptural constellation. Rather than a too didactic speech, suggestion here is omnipresent : references are open, interpretations are free, the composition seems to be random and yet designed mathematically, both structured and chaotic.
The whole evokes a musical composition, a score full of changes of pace, full of high and low notes. The texts and images glued on wood panels, painted or not, are equally banal and meaningful, independent or referring to one another. It is then up to the observer to eventually « transplant » his own interpretation to these relationships suggested by the artist.

