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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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LES ENTREMETTEURS
#5
Institut belge de design graphique
Curator : Arthur Cordier
9614 Rue Lulay des Fèbvres
The Institut of Art and Design is an independent organization that works as a knowledge center and a platform of presentation for graphic design in Belgium. The Institut fills the gap left by the historical underestimation of graphic design.
The window displays a speculative view of the cloakroom and a library of the Institut. This exhibition questions the limits between art and graphic design that became hard to define. Rather than comparing them as two different disciplines, the Institut of Art and Design explores their similarities focusing on what unites them. It is no secret that these two disciplines come from the same source. One can’t survive without its creativity, the other can’t survive without its communication. The ambiguous position of the designer is due to his pivotal position, meeting point of several disciplines.
The different « entremetteurs » displayed in the window combine both practices by playing with the norms and the conventions of each of them. The entremetteurs often wear several hats : graphic designer, artist, textile designer, associate, entrepreneur, poet and much more. The different artworks, items and clothes displayed in a shop window, as part of an art exhibition, seem to have found their place. While combining different temporalities with older and very recent artworks, another speech is made possible by the association of graphic design with artistic artworks. The window gives the impression to enter into another interior where the content and its place enable us to imagine a new framework for both the history of art and the history of graphic design in Belgium.

