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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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LES ERRANTES NATURELLES
#1
Lise Duclaux
Curator : Anna Ozanne
81 Rue du Palais
Pacing along the pavements and exploring the nooks and crannies, the artiste Lise Duclaux paints a portrait of the wild vegetation in the towns and cities she visits. Drawings of plants and seeds create an inventory of patterns that deploy themselves and spread over a boutique’s window display. The shop front is hijacked to become an open air sketch-book in which the rhythm of the seasons and philosophical musings rub shoulders.
Forging poetic links with humankind’s individual and collective existence, Lise Duclaux transposes her observations into writing and the layout of sentences.
A revolutionary significance insinuates itself into the parallel drawn between the plant and human worlds. Unexpected nature bursting forth in towns and cities raises the questions of our conflictual relationship with it. From Brussels to New York via Liège, the artist has observed that only a few types of plants grow in the impoverished soils of big cities.
Braving the frontiers of green spaces controlled by park-keepers, plants embody beings and ideas. We are invited to become aware that the environment is not something to be controlled, but a vibrant place to be lived in and understood. Beneath our feet lies a nature that responds to ecological upheavals and outmatches us by virtue of its force.
Whether marginalised or outcast, free-growing but frail vegetation survives and the seeds sown by the wind are a means of future propagation. Keep your eyes on the cracks between pavement slabs running in front of town houses and you will see !
