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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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LES ERRANTES NATURELLES
#1
Lise Duclaux
Curator : Anna Ozanne
81 Rue du Palais
Pacing along the pavements and exploring the nooks and crannies, the artiste Lise Duclaux paints a portrait of the wild vegetation in the towns and cities she visits. Drawings of plants and seeds create an inventory of patterns that deploy themselves and spread over a boutique’s window display. The shop front is hijacked to become an open air sketch-book in which the rhythm of the seasons and philosophical musings rub shoulders.
Forging poetic links with humankind’s individual and collective existence, Lise Duclaux transposes her observations into writing and the layout of sentences.
A revolutionary significance insinuates itself into the parallel drawn between the plant and human worlds. Unexpected nature bursting forth in towns and cities raises the questions of our conflictual relationship with it. From Brussels to New York via Liège, the artist has observed that only a few types of plants grow in the impoverished soils of big cities.
Braving the frontiers of green spaces controlled by park-keepers, plants embody beings and ideas. We are invited to become aware that the environment is not something to be controlled, but a vibrant place to be lived in and understood. Beneath our feet lies a nature that responds to ecological upheavals and outmatches us by virtue of its force.
Whether marginalised or outcast, free-growing but frail vegetation survives and the seeds sown by the wind are a means of future propagation. Keep your eyes on the cracks between pavement slabs running in front of town houses and you will see !