-
Histoires simples
Léopold Mottet 1 students
107 Féronstrée
-
Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
-
Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
-
Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
-
La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
-
MANTERO
Santiago Vélez
4 Rue de la Cathédrale
-
Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
-
ST END
Pablo Perez
10 Rue Nagelmackers
-
ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
-
Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
-
Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
-
precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
-
S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
-
Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
-
Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
-
Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
-
Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
-
Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
-
Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
-
COMMENT
Kim Bradford
16 Rue du Palais
-
Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
-
L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
-
Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
Let’s do it
#8
Sara Zerguine
Open call
19723, Place de la République Française
Images are central to my work and can take different forms: animated, sculptural, photographic, etc. They are transformed, diverted or created from scratch and constitute the raw material for a critical questioning of the mass media, advertising iconography and the digital images that overwhelm us.
Diversion is very present in my work. Some of my pieces work like simulacra: the references I use are familiar and banal. From a distance, they seem to be part of the aesthetic horizon that is specific to fashion and consumption. When looked at more closely, some elements appear incompatible with the primary meaning and trigger troubles and questioning. Through this process, I try to bring out the unsaid, the off-screen, to draw the underlying violence that structures our relationship to the world.
My work evolves in contact with the places it encounters. The materials, the techniques used and the scenography always echo the exhibition context. Let’s do it is an in situ installation that features all the characteristics of a commercial space in trompe l’oeil. A wallpaper made from the photograph of an eye closed by a price tag lines the walls. The repetition of the motif forms a frame based on which the other pieces are arranged. Sneakers were placed on a factory conveyor, their laces were replaced by strands of hair. On the glass window, a tag with the slogan of a famous ready-to-wear brand diverts the performative stakes. More than symbols or an allegory, Let’s do it encourages action.

