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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Let’s do it
#8
Sara Zerguine
Open call
19723, Place de la République Française
Images are central to my work and can take different forms: animated, sculptural, photographic, etc. They are transformed, diverted or created from scratch and constitute the raw material for a critical questioning of the mass media, advertising iconography and the digital images that overwhelm us.
Diversion is very present in my work. Some of my pieces work like simulacra: the references I use are familiar and banal. From a distance, they seem to be part of the aesthetic horizon that is specific to fashion and consumption. When looked at more closely, some elements appear incompatible with the primary meaning and trigger troubles and questioning. Through this process, I try to bring out the unsaid, the off-screen, to draw the underlying violence that structures our relationship to the world.
My work evolves in contact with the places it encounters. The materials, the techniques used and the scenography always echo the exhibition context. Let’s do it is an in situ installation that features all the characteristics of a commercial space in trompe l’oeil. A wallpaper made from the photograph of an eye closed by a price tag lines the walls. The repetition of the motif forms a frame based on which the other pieces are arranged. Sneakers were placed on a factory conveyor, their laces were replaced by strands of hair. On the glass window, a tag with the slogan of a famous ready-to-wear brand diverts the performative stakes. More than symbols or an allegory, Let’s do it encourages action.

