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Cristina Mirabilis
Academy of Fine Arts of Catane
137-139 En Féronstrée
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SpringMerz
Marion Voegelé
31a Rue de la Cathédrale
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Wafel de Liège
Jannes Lambrecht & Mirthe Vermunicht
100 Rue Saint-Gilles
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Signing To A Spitting Image
Rémie Vanderhaegen
6 Rue Gérardrie
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A Fragile Relationship In A Sturdy Façade
Jeannette Slütter
11 Rue de Bex
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Chambre, vue
Pierre-Alain Poirier
14 Rue de la Sirène
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Midnight Leaves
Bettina Marx
28-30 Boulevard d'Avroy
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Gravats
Lucile Marsaux & Théo Philippot
107 En Féronstrée
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Ambient, Aberrant
Sonia Mangiapane
7b Rue des Carmes
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Avis de tempête
Camille Lemille
159 En Féronstrée
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An Enchanted Break
Cristina Lavosi
9 Rue de la Violette
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Du béton du métal dont sont faites vos parois
Anaïs Lapel
1 En Féronstrée
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Cathédrale
Axel Janssen
16 Rue du Palais
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Always Stuff, Four Blue Office Chairs
Gilles Hellemans
32 Rue de la Régence
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Figure
Bruce Formanoie
100 Rue de la Cathédrale
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Étendue 02
Elisa Florimond
85 Rue de la Cathédrale
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L’été sera brûlant
Sarah Feuillas
3 Rue de la Cathédrale
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No, no ! Only as fast as possible without stress
Jan Duerinck
44 Rue Saint-Gilles
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Carpeaux
Patrick Corillon
25 Rue Saint Paul
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Traveling Tales
Tamuna Chabashvili
40 Rue Hors-Château
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Double exposition
Bertrand Cavalier & Fabien Silvestre Suzor
31b Rue de la Cathédrale
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WELCOMCOM
Ondine Bertin
4 Rue de la Cathédrale
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Leakage
Yasmina Assbane
5 Rue Chéravoie
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Onsite Website : The Official Emoji Shop
Éloïse Alliguié
29 Rue de l'Université
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Let’s do it
#8
Sara Zerguine
Open call
19723, Place de la République Française
Images are central to my work and can take different forms: animated, sculptural, photographic, etc. They are transformed, diverted or created from scratch and constitute the raw material for a critical questioning of the mass media, advertising iconography and the digital images that overwhelm us.
Diversion is very present in my work. Some of my pieces work like simulacra: the references I use are familiar and banal. From a distance, they seem to be part of the aesthetic horizon that is specific to fashion and consumption. When looked at more closely, some elements appear incompatible with the primary meaning and trigger troubles and questioning. Through this process, I try to bring out the unsaid, the off-screen, to draw the underlying violence that structures our relationship to the world.
My work evolves in contact with the places it encounters. The materials, the techniques used and the scenography always echo the exhibition context. Let’s do it is an in situ installation that features all the characteristics of a commercial space in trompe l’oeil. A wallpaper made from the photograph of an eye closed by a price tag lines the walls. The repetition of the motif forms a frame based on which the other pieces are arranged. Sneakers were placed on a factory conveyor, their laces were replaced by strands of hair. On the glass window, a tag with the slogan of a famous ready-to-wear brand diverts the performative stakes. More than symbols or an allegory, Let’s do it encourages action.