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The price is worth it
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100 Rue Saint-Gilles
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1 Féronstrée
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31b Rue de la Cathédrale
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31a Rue de la Cathédrale
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29 Rue de l'Université
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3 Rue de la Cathédrale
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9 Passage Lemonnier
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5 Rue Chéravoie
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7 Rue Saint-Remy
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56 Rue Saint-Gilles
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113 Rue de la Cathédrale
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107 Féronstrée
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101 Féronstrée
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4 Rue de la Cathédrale
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1 Rue Courtois
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Passage Lemonnier, 37-39
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17 Rue des Croisiers
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159 Féronstrée
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16 Rue du Palais
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Regarde… ce qu’il se passe à côté
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137-139 Féronstrée
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Pauvre petit belge qui tremble
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25 Rue Saint Paul
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MANGER AVEC LES YEUX
#4
Lisa Sudhibhasilp
Open call
926 Rue Gérardrie
In recent years, I developed my work around the presentation modes (display). By studying the mechanisms of exposure and arrangement of museums and stores, I gradually extracted strategies of presentation that fed my work process. I enjoy observing how products, objects or artworks are shown, exploring and revealing the underlying methods that are used to value them, sometimes even by fetishizing them. I distort the aesthetics borrowed from design to question the status and the hierarchy of the shown object, sometimes creating in this way a confusion of roles between the presented object and the display as an object.
« Magritte goes to a grocer’s shop near his house to buy Dutch cheese. The merchant leans towards her stall to pick up a started piece but has her movement almost directly stopped by the painter :
– No, madam. Not this one. I’d rather buy this other one.
And he points at a second piece, started as well, placed a bit on the side, on a shelf.
– But it’s the same cheese ! The merchant shouts.
– No, madam, Magritte objects again. The one on the stall has been observed by the passersby all day long. »
(Mariën Marcel, Suivre à Magritte, dans L’Art Belge, January 1968.)
Manger avec les yeux is an installation that hinges on this anecdote told by Marcel Mariën. Here in the window, the cheese is replaced by a turning cake tray, without cake. I invite the passersby to contemplate this object of presentation stripped of its function and to « consume » it with their eyes.
Hand-painted text by Miles Signs.