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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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OASIS
#5
Collectif muesli Louis Darcel • Hannah De Corte • João Freitas
Open call
11020 Rue de l'Université
Together we work with sensitive materials. The resulting artworks are not fixed but in constant adaptation with their environment and its multiple constituent factors. In a partnership with the material and its possibilities, we give birth to shapes that we let blossom without having a direct influence on them.
Our paintings darken or brighten slowly in shades ranging from pink to blue while cristallisation patterns spread or retract at the pace of ambient humidity. The weather conditions and the specificities of the occupied window are crucial parameters that forge the « painting ». Likewise, the fabric support and type of stretcher have an impact on the created surfaces. They also register the hits of their manipulation and the transport that can leave marks. Undisciplined, the paintings have an elusive and atypical behavior. Varying from a nearly monochrome to an expressionist or even kitsch rendering, the surfaces cannot obey any aesthetic desire on our part.
Through all these factors that interact directly with the chemical process, a canvas is never the same twice. In its own way, our project marks the passage of time, punctuating the routine of the passer-by throughout the exhibition. The changes can surprise a regular passer-by and invite the viewer to return to witness them.

