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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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QUARANTINED SALIVA (LES SENTIMENTS OCÉANIQUES)
#6
Carole Mousset
Open call
1376 Rue Gérardrie
The hagfish is a seabed anguilliform animal and makes good use of sea water to produce a kind of mucus to relax. It releases a chemical substance through a row of pores positioned on its flanks. These chemical products immediately react with sea water to form a filamentous mucus. When the predator inhales this product, it suffocates. In order to protect itself from its own mucus, the hagfish winds around itself to form a knot that it slips afterwards along the entire length of its body to wipe it.
This protecting or lethal substance is the starting point of this installation and the nature of the photomontage that forms it. In my work, painting, sculpture and photography commonly merge to dialogue through iconographic corpus emerging from diverse places. The frame of a painting here becomes a sculpture, the picture becomes decoration, each medium backs up the aim of another one.
Quarantined Saliva questions our ambiguous connection with bodily fluids. Yet repulsive, they are at the heart of numerous beliefs, and the best way to represent and question the bodies and their inwardness. They combine brilliance and cyclical movement, are used as metaphor for the expression of our emotions, and finally have a powerful sexual nature. They can be soft or toxic and unveil a flowing intimacy. This intimacy is isolated by this window that yet highlights it.