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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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QUARANTINED SALIVA (LES SENTIMENTS OCÉANIQUES)
#6
Carole Mousset
Open call
1376 Rue Gérardrie
The hagfish is a seabed anguilliform animal and makes good use of sea water to produce a kind of mucus to relax. It releases a chemical substance through a row of pores positioned on its flanks. These chemical products immediately react with sea water to form a filamentous mucus. When the predator inhales this product, it suffocates. In order to protect itself from its own mucus, the hagfish winds around itself to form a knot that it slips afterwards along the entire length of its body to wipe it.
This protecting or lethal substance is the starting point of this installation and the nature of the photomontage that forms it. In my work, painting, sculpture and photography commonly merge to dialogue through iconographic corpus emerging from diverse places. The frame of a painting here becomes a sculpture, the picture becomes decoration, each medium backs up the aim of another one.
Quarantined Saliva questions our ambiguous connection with bodily fluids. Yet repulsive, they are at the heart of numerous beliefs, and the best way to represent and question the bodies and their inwardness. They combine brilliance and cyclical movement, are used as metaphor for the expression of our emotions, and finally have a powerful sexual nature. They can be soft or toxic and unveil a flowing intimacy. This intimacy is isolated by this window that yet highlights it.