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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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S’entrouvrir
#8
Laure Forêt
Curator: Marjorie Ranieri
18529 Rue de l'Université
Using shades of color ranging from milky white to blood red, Laure Forêt works on various textures and materials (glass, metal, fabric, etc.) to suggest organic forms. Her work as a visual artist questions the body at the border between the intimate and the public, the visible and the invisible. The body as a place of suffering and pleasure. The skin as a landscape to explore through an intimate journey into the being.
The installation S’entrouvrir evokes an epidermal landscape that half-opens or closes. The skin is embodied by the superposition of Tiffany glass plates while the flesh can be observed in the crimson of a burnout velvet. It is simultaneously a barrier, a protection against the outside but also a zone of contact with the interior, a fragment of intimacy. It carries familiarity through a smell, a memory but can also become a border not to be crossed.
Epidermal layers are similar to geological layers. They hide an inner world that is similar to the richness of soil. Glass, sometimes opalescent, sometimes transparent, takes on various meanings. Delicate and translucent, it unfolds like a membrane that can bend or stretch but also crack and break.
The open wound is then revealed timidly. The fault unveils inner wounds while trying to hide them.

