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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Un paysage inconnu mais familier
#9
Dayoung Jeong
Open call
2135 Place des Déportés
During my childhood, the computer became part of our homes and I grew up watching our daily lives change rapidly. I thus focus naturally on the boundary between the virtual world (a digital world) and the real world. By moving stories, gestures, visual images from the virtual world to the real world (and vice versa), I transform my psychological and physical experiences into artistic creation and I question myself and the story around me. I also try to find my own way of being and my place within the society.
Even if digital technology inspires me a lot for my subjects, I always create tangible pieces, often in an artisanal way, ultimately far from digital technologies. I often use glass and its expressions in my work. This is the influence of my grandfather, who was a glassmaker. The glass seems fragile, but also solid. Sometimes it reflects light and retains light as stage lighting would. They allow me to represent the fantasy adopted in our virtual world. For me, glass has thus become a way to express stories from the theatrical world I watch through my computer screen and that sometimes seems more real than the life in which I physically develop.
I have the feeling that the real world, seen through the virtual world, is a play. Having worked in a theater scenography team, I was also greatly inspired by the universe of stage. I thus found it interesting to create a scenic sphere in the exhibition space.