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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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UNIVERSE IN MOTION
#6
AuchKatzStudio Elsa Belbacha-Lardy ans Thomas Thibout
Curator : Marine Candova
122107 En Féronstrée, 4000 Liège, Belgique Liège
AuchKatzStudio is an artistic duo composed by Elsa Belbacha-Lardy, graduate of the Villa Arson in 2019, and by Thomas Thibout, graduate in space design of the ENSBA Lyon.
Together they created AuchKatzStudio in 2017. This results in the merger between two practices, sometimes sculptural design and sometimes functional art.
This encounter : it’s the merger between our two universes. Elsa’s paintings are solidified while simultaneously Thomas’ sculptures turn to liquid. We create items that are at the boundary between art and design and that get linked together by the material and the painting. Like this we invite the spectator to become immersed actors in our pictorial spaces. While color physically deploys into the space it sculpts, sitting on what could be contemplated as the sculpture or the painting of a rock, the spectator is snatched into a slowly moving space-cave, both inert and lively and that suggests an encounter between two temporalities, ours and the temporality of the mineral and organic world. While freeing ourselves from the boundaries of the canvas and then the space, our approach thus asserts itself in a duo by combining painting and color towards the organic object : sometimes sculptural design and sometimes functional art. We consequently consider our spaces as being sometimes an experimental laboratory in which liquid paintings develop chance and reveal our separation with the material in our work process, and sometimes as a cave inspired by a post-apocalyptic science fiction universe in which a space appears, allegory of a future world that forces humans to face their responsibilities and invite them to reflect on the servitude to which they could well be linked.

