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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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UNIVERSE IN MOTION
#6
AuchKatzStudio Elsa Belbacha-Lardy ans Thomas Thibout
Curator : Marine Candova
122107 En Féronstrée, 4000 Liège, Belgique Liège
AuchKatzStudio is an artistic duo composed by Elsa Belbacha-Lardy, graduate of the Villa Arson in 2019, and by Thomas Thibout, graduate in space design of the ENSBA Lyon.
Together they created AuchKatzStudio in 2017. This results in the merger between two practices, sometimes sculptural design and sometimes functional art.
This encounter : it’s the merger between our two universes. Elsa’s paintings are solidified while simultaneously Thomas’ sculptures turn to liquid. We create items that are at the boundary between art and design and that get linked together by the material and the painting. Like this we invite the spectator to become immersed actors in our pictorial spaces. While color physically deploys into the space it sculpts, sitting on what could be contemplated as the sculpture or the painting of a rock, the spectator is snatched into a slowly moving space-cave, both inert and lively and that suggests an encounter between two temporalities, ours and the temporality of the mineral and organic world. While freeing ourselves from the boundaries of the canvas and then the space, our approach thus asserts itself in a duo by combining painting and color towards the organic object : sometimes sculptural design and sometimes functional art. We consequently consider our spaces as being sometimes an experimental laboratory in which liquid paintings develop chance and reveal our separation with the material in our work process, and sometimes as a cave inspired by a post-apocalyptic science fiction universe in which a space appears, allegory of a future world that forces humans to face their responsibilities and invite them to reflect on the servitude to which they could well be linked.