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The price is worth it
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TO DO
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100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
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1 Féronstrée
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Fausse bonne nouvelle
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31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
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18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
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31a Rue de la Cathédrale
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Cityscape
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29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
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113 Rue de la Cathédrale
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Travel Local, Buy Local
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107 Féronstrée
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85 Rue de la Cathédrale
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22 empans et 1 palme
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75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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UNIVERSE IN MOTION
#6
AuchKatzStudio Elsa Belbacha-Lardy ans Thomas Thibout
Curator : Marine Candova
122107 En Féronstrée, 4000 Liège, Belgique Liège
AuchKatzStudio is an artistic duo composed by Elsa Belbacha-Lardy, graduate of the Villa Arson in 2019, and by Thomas Thibout, graduate in space design of the ENSBA Lyon.
Together they created AuchKatzStudio in 2017. This results in the merger between two practices, sometimes sculptural design and sometimes functional art.
This encounter : it’s the merger between our two universes. Elsa’s paintings are solidified while simultaneously Thomas’ sculptures turn to liquid. We create items that are at the boundary between art and design and that get linked together by the material and the painting. Like this we invite the spectator to become immersed actors in our pictorial spaces. While color physically deploys into the space it sculpts, sitting on what could be contemplated as the sculpture or the painting of a rock, the spectator is snatched into a slowly moving space-cave, both inert and lively and that suggests an encounter between two temporalities, ours and the temporality of the mineral and organic world. While freeing ourselves from the boundaries of the canvas and then the space, our approach thus asserts itself in a duo by combining painting and color towards the organic object : sometimes sculptural design and sometimes functional art. We consequently consider our spaces as being sometimes an experimental laboratory in which liquid paintings develop chance and reveal our separation with the material in our work process, and sometimes as a cave inspired by a post-apocalyptic science fiction universe in which a space appears, allegory of a future world that forces humans to face their responsibilities and invite them to reflect on the servitude to which they could well be linked.