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Cristina Mirabilis
Academy of Fine Arts of Catane
137-139 En Féronstrée
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SpringMerz
Marion Voegelé
31a Rue de la Cathédrale
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Wafel de Liège
Jannes Lambrecht & Mirthe Vermunicht
100 Rue Saint-Gilles
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Signing To A Spitting Image
Rémie Vanderhaegen
6 Rue Gérardrie
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A Fragile Relationship In A Sturdy Façade
Jeannette Slütter
11 Rue de Bex
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Chambre, vue
Pierre-Alain Poirier
14 Rue de la Sirène
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Midnight Leaves
Bettina Marx
28-30 Boulevard d'Avroy
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Gravats
Lucile Marsaux & Théo Philippot
107 En Féronstrée
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Ambient, Aberrant
Sonia Mangiapane
7b Rue des Carmes
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Avis de tempête
Camille Lemille
159 En Féronstrée
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An Enchanted Break
Cristina Lavosi
9 Rue de la Violette
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Du béton du métal dont sont faites vos parois
Anaïs Lapel
1 En Féronstrée
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Cathédrale
Axel Janssen
16 Rue du Palais
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Always Stuff, Four Blue Office Chairs
Gilles Hellemans
32 Rue de la Régence
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Figure
Bruce Formanoie
100 Rue de la Cathédrale
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Étendue 02
Elisa Florimond
85 Rue de la Cathédrale
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L’été sera brûlant
Sarah Feuillas
3 Rue de la Cathédrale
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No, no ! Only as fast as possible without stress
Jan Duerinck
44 Rue Saint-Gilles
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Carpeaux
Patrick Corillon
25 Rue Saint Paul
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Traveling Tales
Tamuna Chabashvili
40 Rue Hors-Château
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Double exposition
Bertrand Cavalier & Fabien Silvestre Suzor
31b Rue de la Cathédrale
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WELCOMCOM
Ondine Bertin
4 Rue de la Cathédrale
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Leakage
Yasmina Assbane
5 Rue Chéravoie
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Onsite Website : The Official Emoji Shop
Éloïse Alliguié
29 Rue de l'Université
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UNIVERSE IN MOTION
#6
AuchKatzStudio Elsa Belbacha-Lardy ans Thomas Thibout
Curator : Marine Candova
122107 En Féronstrée, 4000 Liège, Belgique Liège
AuchKatzStudio is an artistic duo composed by Elsa Belbacha-Lardy, graduate of the Villa Arson in 2019, and by Thomas Thibout, graduate in space design of the ENSBA Lyon.
Together they created AuchKatzStudio in 2017. This results in the merger between two practices, sometimes sculptural design and sometimes functional art.
This encounter : it’s the merger between our two universes. Elsa’s paintings are solidified while simultaneously Thomas’ sculptures turn to liquid. We create items that are at the boundary between art and design and that get linked together by the material and the painting. Like this we invite the spectator to become immersed actors in our pictorial spaces. While color physically deploys into the space it sculpts, sitting on what could be contemplated as the sculpture or the painting of a rock, the spectator is snatched into a slowly moving space-cave, both inert and lively and that suggests an encounter between two temporalities, ours and the temporality of the mineral and organic world. While freeing ourselves from the boundaries of the canvas and then the space, our approach thus asserts itself in a duo by combining painting and color towards the organic object : sometimes sculptural design and sometimes functional art. We consequently consider our spaces as being sometimes an experimental laboratory in which liquid paintings develop chance and reveal our separation with the material in our work process, and sometimes as a cave inspired by a post-apocalyptic science fiction universe in which a space appears, allegory of a future world that forces humans to face their responsibilities and invite them to reflect on the servitude to which they could well be linked.