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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Uhoda Collection
#9
Thandiwe Muriu Lionel Estève
Collection Uhoda
20825 Rue Saint Paul
UNTITLED
Lionel Estève abandons the traditional production of artworks and develops an artistic approach whose main concern is the sensory experience felt by the spectator. Made up of an assembly of thousands of translucent sheets suspended in a cascade, his “fringed drawing” shimmers luminous vibrations on the exhibition walls. This extremely sensual installation awakens our desire to touch it, while inviting us to let ourselves be lulled by the fragility of the pieces of colored plastic overflowing from its flat surface.
CAMO
Thandiwe Muriu breaks with the standards of beauty conveyed by Western fashion magazines and highlights, through her lens, the singular beauty of her compatriots who are often excluded from the standards in their own country. Entitled CAMO, her collection of photographs refers to the way in which the represented subject blends into the background, leaving only its particularities to appear. Among these, the artist revives the glorious past of African queens by crowning her models with traditional hairstyles that have fallen into oblivion, while celebrating the dark skin of the photographed young women. With the desire to reflect the ingenuity of Kenyan women, Muriu transforms everyday objects – such as a laundry basket or sponges – into real fashion accessories. Via her vibrant color photographs, the artist wants to encourage African women to become aware of their uniqueness, while celebrating the richness of their heritage.