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Vertical environnement
François Winants
27 Rue de la Casquette
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Censorship
Bram Van Meervelde
44 Rue Saint-Gilles
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The Poetics of Space
Ariane Toussaint
29 Rue de l'Université
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PRIVACY’S ARCHEOLOGY
Niels-Jan Tavernier
Place de la République Française, 23
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Braced under the heating sun
Melissa Ryke
5 Rue Chéravoie
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Modèles réels, arrangements accidentels
Griet Moors
14 Rue de la Sirène
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Lion #15 (Melancholy Baby)
Daisy Madden-Wells
100 Rue Saint-Gilles
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VOUS ÊTES ICI
Les Rayons
Interventions visibles sur des vitres de voiture
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In exile
Guda Koster
1 En Féronstrée
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Icing
Sanne Kabalt
Rue Matrognard, 2
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Un paysage inconnu mais familier
Dayoung Jeong
5 Place des Déportés
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URBAN RHYTHMS
Marjolein Guldentops
129 Rue Saint-Gilles
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À propos
Johan Gelper
41 Passage Lemonnier
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Support Vitrine
Bart Geerts
11 Rue de Bex
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La dernière pluie
Julia Gault
9 Passage Lemonnier
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CAMO
Lionel Estève
25 Rue Saint Paul
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STATIONS
Apolline Ducrocq
50 En Féronstrée
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Zoning gris, glaner la ville, vivre le bois
Jonathan De Winter
31B Rue de la Cathédrale
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Trophée
Estelle Deschamp
137 En Féronstrée
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Debt Ceiling
Bob Demper
4 Rue de la Cathédrale
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LOG 1 : SAUVE-GARDES
Paul Cottet
15 Rue Saint-Gilles
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Pluie N20, depuis la terre…
Collectif Nuiits Delphine Dubois and Juliane Lavis
Hôtel de la Cour de Londres 40 Rue Hors-Château
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SANS TITRE
Olivier Bovy
85 Rue de la Cathédrale
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a l é a s
Jérôme Bouchard
31A Rue de la Cathédrale
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Please like me #1
Margaux Blanchart
6 Rue Saint-Adalbert
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antizenithale
Marc Angeli and Ronald Dagonnier
16 Rue du Palais

STATIONS
#9
Apolline Ducrocq
Open call
20750 En Féronstrée
As a repairperson, researcher and collector, my work gravitates around sculpture, assemblage, photography and installation. I see creation as a construction, as a way to give birth to forms from a ground or a story. I am interested in materials, shapes, dimensions, questions of scale but also their positions in a space.
Often, places in perpetual movement such as lands or construction sites are spaces that appeal to me. Movement has a very important place in my work. The materials I use are often raw materials that tell a story. They are usually taken from buildings under renovation, urban wastelands, demolition sites and sometimes even during trips…
For this ninth edition of Art au Centre, I created Stations, which is a dialogue of forms resulting from an encounter with a pile of cars, a shower cubicle being demolished and a pile of sandstone tile rubble…
The tiling has an important place in this fixed space, it suggests mobility by its omnipresence in spaces of passage and underlines, through photography, the multiple displacements made by the works that I have been able to carry out or the forced immobility of its wandering forms.
The fleeting presented forms speak of movements such as the passage of people in a metro station, a gas station, a car wash… Through the glass, these sculptures offer a look at frozen moments filled with a future that just wants to move.