-
À la loupe
Werner Moron
7 Rue de l'Official
-
Cloakroom
Charlotte Delval
37 Rue Souverain Pont
-
Biospheric City
Xavier Mary
25 Rue Saint Paul
-
This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
-
Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
-
Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
-
Between Two
Adrien Milon
31b Rue de la Cathédrale
-
Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
-
Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
-
À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
-
One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
-
Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
-
Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
-
Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
-
Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
-
Peek
Raphaël Meng WU
75 Rue Hors-Château
-
Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
-
Brownfields
Cesare Botti
108 Féronstrée
-
Never Finished
Dirk Bours
84 Féronstrée
-
Empty Reflections
Jason Slabbynck
21 Pont d'Île
-
On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
-
Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
-
Untitled
Reza Kianpour
14 Rue de la Populaire
-
Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
-
Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
Vapeurs
#14
Eva Mancuso
Curator : Maxime Moinet
3365 Rue Chéravoie
The Vapeurs evoke both those overpowering emotions that were said to make women faint, those humors that were said to rise from the uterine matrix to provoke hysterical fits, and the incense emanations that the priestesses of Apollo interpreted while speaking in place of the gods. I invoke these figures, both opposed and complementary, to question the weight given to words and to thwart the divisions between the intimate and the public, the sayable and the unsayable, the political and the domestic, the grandiose and the everyday, the important and the futile. By combining writing, performance and visual arts, I play with images of the occult, of what occults, and what reveals, in order to circulate a discourse from the private to the public, from the everyday to the spectacle, from the diary to the political slogan, from whisper to scream and from scream to whisper, never stopping it, never giving it a clear, determined status.