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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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RÉFLÉCHISSEZ POUR MOI, JE RÉFLÉCHIRAI POUR VOUS
#4
Justine Court
Curator : Marine Candova
7448 Rue de la Cathédrale
Justine Court creates an autofiction world in which the objects turn into actors with their own personalities. Without their soft tints, shining enamels, details and erratic shapes, they would be only functional objects – pots, plates, vases, candlesticks – but appearances can be deceptive : each sculpture comes alive in this dark fairy tale that Justine Court creates. The depths of human imagination find refuge in great feelings such as melancholy, fragility and pride – emotions closely linked to the body. The open throats, fleshy lips, sensual coves covered with jewels reveal their vacuity and exhibitionist nature. Justine Court tries to establish a dismissed case, a suggested environment that appears out of time. To this end, she sketches and draws her inspiration from cinematic images tinged with a dark romanticism proper to Jean Cocteau and Dario Argento among others.
Réfléchissez pour moi, je réfléchirai pour vous floats in a bath of nostalgia in which anthropomorphic and domestic merge in the ceramic, the glass or the metals. The recurrent element of the mirror is the ultimate symbol of Vanitas and privacy. The mirror is mediator : we imagine seeing ourselves but in fact we face a significant lack of perception of oneself.