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The price is worth it
Acher
9 Rue de la Violette, 4000 Liège
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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ACDC
#4
Dilum Coppens
Curator : Arthur Cordier
7331a Rue de la Cathédrale
Arthur Cordier : I hope you are well. I’m very happy we are working on this exhibition together. We met at K.L.8, the studio space you co-organise in Brussels. What struck me was the scale of the canvases in contrast with the nonchalant hierarchy of the images you use. Would you like to introduce your practice ?
Dilum Coppens : I like to think of the painting as a clay tablet where some parts have disappeared – somewhere in history. While other parts show the subtle remains of what was once applied. I want to create relics with a type of knowledge and mythology that has been forgotten, but carries something contemporary. I reached a good epitome of this in the work Statements on the inertial energy of the Sun. The images carry a specific meaning : a place I found fascinating, a memory or an allegorical anecdote. I want to subtly reference love, Aphrodite, or the science behind light, the Sun and its energy.
A.C : The image of the bird picking its food from the Sun is a beautiful image. I perceived it as a combination of the largest scope of human kind – planets and their rotations – and the rather small and localized equilibrium of things, birds feeding from fruits and flowers. Somehow you bring them together. Like you said it is subjective and open to interpretation. It could feel as a random association yet it says something about them as parts of the systems we live in. Seasons happen for a reason. And flowers bloom.
D.C : I started a serie which deals with loneliness, as both a desirable and frightening condition. I’ve found myself on both ends of that spectrum lately. I thought it might be nice to show these paintings. My work is based on mythological ruins, and I try to capture that feel with the materiality. I think it’s a matter of bringing the work there and work with the space.