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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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ALBUM
#7
Amélie Berrodier
Open call
15148 Rue de la Cathédrale
Invented in the first half of the 19th century, photography has been confined to the studio of the portrait photographer for a long time, a studio where the upper classes come to sustain their dynastic fiber. At that time, grasping the family identity seems to be at the core of the concerns when parents, father and mother, take a place on each side of the image and surround their offspring. It is a matter of capturing a precise moment when family “ resembles this ”, crystalizes itself in the vast time of the story, before the children grow up and the parents get old. According to one’s tastes, means, vision of things, social class, one gave a docile body its place in a collective story. No family without a family photo.
At the beginning, family photography thus remains conventional. But since the end of the 1960s, it has been undergoing profound changes like the family mutations that it immortalizes, but also technical evolutions of the support.
For Art au Centre #7, Amélie Berrodier explores this practice and its evolution with the video installation entitled Album. Between classic poses, ancient background and new sociocultural habits, the artist combines historical and contemporary codes connected to the portrait practice. It is yet mostly a matter of highlighting the family ties that are specific to each composition, just like the gap between the pose initially adopted for the photograph and the behaviors – laughs, embraces, estrangements – engendered by the long duration of the video. While these photographs are usually fixed, they here come to life by extending the duration of the shot, as to brave the death of a represented moment.
This project was supported by the DRAC and the Auvergne Rhône-Alpes region.