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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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LOBSTERS AND OYSTERS PLEASE !
#7
Coline Gaulot
Open call
15850 En Féronstrée
Her work goes through stories of variable intimacies. From the most autobiographical to the most common, for many years, the artist has tracked the experience through different supports such as the installation, painting, writing and ceramic. A love story, nocturnal bathing, anniversaries appear and make us stagger. These variations satisfy our abundant singular and universal turbulences. The Kairos is precious.
Lobsters and oysters please ! is a festive contemporary fictional archaeology, crystallized in porcelain. The leftovers of a ghostly feast, finished, dropped there. Let’s look at the leftovers. What lives on us. Time stops between the Curly, the oysters, the cocktail sausages, the cigarette butts…Where are our leftovers going ? Are you bothered by the fact I find our leftovers so nice ? What will we do when we won’t be able to dip our cocktail sausages into mustard ? What will we become when we will stop stirring our straws in our glasses ? As long as you can ask yourself these questions, it means that everything’s fine. I turn chips, toothpicks and olives into totems. Still have the time to highlight the details. Time flies but suspending it is still possible. Stop this instant. This party. I smile when I think of you looking at these details, these precious vestiges of banal stories. These things that are only important because you have just stopped. I hope that you enjoy our party and that you can imagine the smell of our skin in the middle of this feast. Unfortunately, our vestiges will not have the smell of sweat.

