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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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COLLECTION AUTOMNE-HIVER 1920-2900
#7
Manon de la Kethulle
Commissaire / Curator : Anna Ozanne
1591 En Féronstrée
Manon de la Kethulle explores the similarities between artistic installation, pop-up store and fashion-show. Although the heteronormed (and Northern European) clothing, designed for the heterosexual man, does not venture into daring styles, it has yet dared the colors, the materials for a number of years, while modeling itself on the males out of security : sport, suit, uniform, exceptional circumstances of holidays… male clothing at once illustrates the strength, the rigor and the aesthetic discretion that are expected from the modern man.
Manon finds it boring and annoying : is masculinity truly free ? Masculinity must be explored and unveiled. Animality, poetry, love, violence… sweat ! Ambiguous situation, performance games and leather jackets will display multiple symbols, bodies will be/were activated by the artworks during the preview.
Under the morbid spotlight, the fatal man moves forward.
The « heart black as a cinema »*
His feline walk is disguised with violence.
He sculpted his doll face, made up with leather and steel.
A voice arises from the crowd :
I experienced the storms of centuries,
The cruelty of the day cryogenized me,
Capitulates to my grazed jacket ”.
The flash riveted on the stage saw nothing of what was happening.
The figures parade on the podium.
Dilated in the torpor of an aggressive tension.
The ceiling is as high as a top.
The next day, still tense and amazed, the critics were analyzing this « neo-romantico futuristic »** tortured universe, this world in which man is a prey to female desire for centuries.
* Spleen, album Les pleurs du mal, Dinos, 2018, 2’48“
** Article published in The New York Times le 7 octobre 2850