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The price is worth it
Acher
9 Rue de la Violette, 4000 Liège
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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BLOSSOMS AND FRUITS AT ONCE
#7
Adele Dipasquale
Open call
16014 Rue de la Sirène
Inspired by the Winogradsky column, a late 19th century scientific experiment that recreates the first stages of bacterial life on earth, ‘Blossoms and fruits at once’ is a video installation that critically reflects on the human desire to go back to a primordial moment of existence, connecting local histories, geological temporalities, oral narratives and magical thought. The aspiration to go back to an alleged stage where nature nurtures humans without effort and fatigues, where blossoms and fruits grow simultaneously breaking the progression of seasons, has always been a very dangerous myth in which women, together with all the ones associated with the ‘natural category’, had to pay a very high price. In the work all the ingredients necessary to make a Winogradsky sample—namely calcium, sulfur, cellulose, pond mud and water—have been collected, connecting to the histories of their original locations : from the bleached and polluted sand of Rosignano Solvay, passing through massive extractivism sites such as Carrara marble quarry or Sicilian sulfur mines, to symbols of wilderness and horror like Mount Etna volcano or the psychomagical badlands of Aliano. Looking at different techniques to relate to and manipulate the ‘outside world’, the work explores the myth of nature working in the intersections between science and fiction, chemical reactions and cosmogonic tales, magic and oral storytelling.
16 mm film transferred to Full HD , 5’30’’
Soil of the badlands of Aliano, marble powder and water from the caves of Carrara, sand and cuttlebones from the polluted white beaches of Rosignano Solvay, sulfur deposit from Vulcano in the namesake island, rocks and basalt from Crateri Silvestri of Etna, sulfur powder extracted in Trabonella mine near Caltanisetta, textile and paper