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À la loupe
Werner Moron
7 Rue de l'Official
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Cloakroom
Charlotte Delval
37 Rue Souverain Pont
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Biospheric City
Xavier Mary
25 Rue Saint Paul
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This Is Not a Theory
Giuseppe Arnone
40 Rue Hors-Château
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Barbaro after the hunt
Andréa Le Guellec
56 Rue Saint-Gilles
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Nos lieux de bonheur
Benjamin Hollebeke
141 Féronstrée
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Between Two
Adrien Milon
31b Rue de la Cathédrale
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Your Parcel Is Coming
Aurelien Lacroix
5 Rue Saint-Michel
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Marcher, cueillir, jardiner, teindre
Benjamin Huynh
32 Rue de la Madeleine
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À nos jours heureux
DIAAAne (Diane Stordiau)
28 - 30 Boulevard d'Avroy
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One Loft Race — Pigeon Paradise
Lucas Castel
20 Rue de la Sirène
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Les envahisseurs
Dimitri Autin
85 Rue de la Cathédrale
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Vous êtes toustes flou·e·s
Marcelle Germaine
107 - 109 Rue de la Cathédrale
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Le jeu d’un destin
Mikaïl Koçak
52 En Neuvice
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Rue Monrose, 62 : La chambre L’enfant Le train
Paul Gérard
180 Rue Saint-Gilles
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Peek
Raphaël Meng WU
75 Rue Hors-Château
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Un buisson de clés (Sleutelbos)
Amber Roucourt
16 Rue du Palais
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Brownfields
Cesare Botti
108 Féronstrée
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Never Finished
Dirk Bours
84 Féronstrée
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Empty Reflections
Jason Slabbynck
21 Pont d'Île
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On « Sexy Magico »
Louis Gahide
7 Rue Lambert Lombard
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Opalima Kupina: Liège episode A Stop Pavilion: On the Soft Underbelly of Europe.
Nikolay Karabinovych
1 Féronstrée
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Untitled
Reza Kianpour
14 Rue de la Populaire
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Angle Mort
VIVONS CACHÉ·ES
31a Rue de la Cathédrale
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Haya al salat, haya ala falah*
Sarah Van Melick
4 Rue de la Cathédrale
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Ne rien faire contre rémunération
#8
Katya Ev
Curator: Sophie Delhasse
18347 Rue de l'Université
From specific socio-political contexts, Katya Ev has been developing, since 2012, a constellation of performances, of “constructed situations”, which question our potential for action within power structures. Each action, performed or directed by the artist, is part of a precise spatiotemporal framework, taking place as much in the institution as in the public space. The artwork does not directly confront social, political or legal stakes but subtly inserts itself within the very systems, reusing or diverting the codes and rituals that govern them.
For Art au Centre, Katya Ev offers an evolving and participatory display intervention that unfolds over the course of the exhibition, in one or several windows in the city. The intervention invites the viewer to interact with the artist, through a call for participation during which the visitor/inhabitant of Liège will stick to the French expression NE RIEN FAIRE CONTRE RÉMUNÉRATION. Remuneration follows labor legislation based on the minimum rate of €10.25 gross per hour. The intervention displayed at Art au Centre continues in the exhibition of the artist at The New Space[1].
These moves of force, sometimes barely perceptible, coexist with the inhabitant/visitor, forming both a frame and a leak point. The interaction with the public triggers a spontaneous and unexpected dimension of reactions and participations. Like soft power – a term used in geopolitics to refer to a “soft method” of influencing other states – Katya Ev’s “constructed situations” can be interpreted as subtle challenges imposed to power structures from a reconfiguration of elements, getting involved in the radical nature of a simple citizen action at the limits of the legal system.
[1] Entretenir vaut mieux, duo exhibition with Marc Buchy curated by Dorothée Duvivier, from March 25 to May 8, 2022, The New Space, 234 rue Vivegnis, 4000 Liège.

