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Histoires simples
Léopold Mottet 1 students
107 Féronstrée
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Qu’est-ce-qui se trame ici ?
Centre André Baillon
1 Féronstrée
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Night Walk
Maria Chiara Ziosi
85 Rue de la Cathédrale
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Thy Cities Shall With Commerce Shine — Part II
Hattie Wade
35 Rue Souverain Pont
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La Maison Panure – Fève des rois
JJ von Panure
21 Pont d'Île
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MANTERO
Santiago Vélez
4 Rue de la Cathédrale
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Mobile Écriture Automatique
Philippe José Tonnard
109 rue de la Cathédrale
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ST END
Pablo Perez
10 Rue Nagelmackers
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ALREADYMADE n° 3 : Empty Cart or Cardboard Cybertruck
M.Eugène Pereira Tamayo
18 Rue de l'Etuve
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Centre de remise en forme (économie de guerre)
Werner Moron
7 Rue de l'Official (Îlot Saint-Michel)
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Sun(set)(Seed)
Matthieu Michaut
56 Rue Saint-Gilles
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precarity of non-human entities
Gérard Meurant
23 Rue Saint-Michel
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S’aligne, l’inconnue sans lecture
Julia Kremer
40 Rue Hors-Château
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Autumn Collages
Ívar Glói Gunnarsson Breiðfjörð
30 Rue de la Cathédrale
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Rōt Rot Rôt
Janina Fritz
28 Rue des Carmes
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Pierre ventilée
Daniel Dutrieux
14 Rue de la Populaire (Îlot Saint-Michel)
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Peephole
Jacques Di Piazza
31a Rue de la Cathédrale
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Room Eater
Jorge de la Cruz
5 Rue Saint-Michel (Îlot Saint-Michel)
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Behind the Curtain
Francesca Comune
31b Rue de la Cathédrale
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COMMENT
Kim Bradford
16 Rue du Palais
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Pedro Camejo (série Diaspora)
Omar Victor Diop
25 Rue Saint Paul
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L’impasse de la vignette, dans le temps et dans l’espace
Michel Bart and Mathias Vancoppenolle
75 Rue Hors-Château
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Opéra-savon, épisode 1 : L’ Aquarium-Museum
Clara Agnus
20 Rue de la Sirène
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Ne rien faire contre rémunération
#8
Katya Ev
Curator: Sophie Delhasse
18347 Rue de l'Université
From specific socio-political contexts, Katya Ev has been developing, since 2012, a constellation of performances, of “constructed situations”, which question our potential for action within power structures. Each action, performed or directed by the artist, is part of a precise spatiotemporal framework, taking place as much in the institution as in the public space. The artwork does not directly confront social, political or legal stakes but subtly inserts itself within the very systems, reusing or diverting the codes and rituals that govern them.
For Art au Centre, Katya Ev offers an evolving and participatory display intervention that unfolds over the course of the exhibition, in one or several windows in the city. The intervention invites the viewer to interact with the artist, through a call for participation during which the visitor/inhabitant of Liège will stick to the French expression NE RIEN FAIRE CONTRE RÉMUNÉRATION. Remuneration follows labor legislation based on the minimum rate of €10.25 gross per hour. The intervention displayed at Art au Centre continues in the exhibition of the artist at The New Space[1].
These moves of force, sometimes barely perceptible, coexist with the inhabitant/visitor, forming both a frame and a leak point. The interaction with the public triggers a spontaneous and unexpected dimension of reactions and participations. Like soft power – a term used in geopolitics to refer to a “soft method” of influencing other states – Katya Ev’s “constructed situations” can be interpreted as subtle challenges imposed to power structures from a reconfiguration of elements, getting involved in the radical nature of a simple citizen action at the limits of the legal system.
[1] Entretenir vaut mieux, duo exhibition with Marc Buchy curated by Dorothée Duvivier, from March 25 to May 8, 2022, The New Space, 234 rue Vivegnis, 4000 Liège.

