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The price is worth it
Acher
9 Rue de la Violette, 4000 Liège
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Ne rien faire contre rémunération
#8
Katya Ev
Curator: Sophie Delhasse
18347 Rue de l'Université
From specific socio-political contexts, Katya Ev has been developing, since 2012, a constellation of performances, of “constructed situations”, which question our potential for action within power structures. Each action, performed or directed by the artist, is part of a precise spatiotemporal framework, taking place as much in the institution as in the public space. The artwork does not directly confront social, political or legal stakes but subtly inserts itself within the very systems, reusing or diverting the codes and rituals that govern them.
For Art au Centre, Katya Ev offers an evolving and participatory display intervention that unfolds over the course of the exhibition, in one or several windows in the city. The intervention invites the viewer to interact with the artist, through a call for participation during which the visitor/inhabitant of Liège will stick to the French expression NE RIEN FAIRE CONTRE RÉMUNÉRATION. Remuneration follows labor legislation based on the minimum rate of €10.25 gross per hour. The intervention displayed at Art au Centre continues in the exhibition of the artist at The New Space[1].
These moves of force, sometimes barely perceptible, coexist with the inhabitant/visitor, forming both a frame and a leak point. The interaction with the public triggers a spontaneous and unexpected dimension of reactions and participations. Like soft power – a term used in geopolitics to refer to a “soft method” of influencing other states – Katya Ev’s “constructed situations” can be interpreted as subtle challenges imposed to power structures from a reconfiguration of elements, getting involved in the radical nature of a simple citizen action at the limits of the legal system.
[1] Entretenir vaut mieux, duo exhibition with Marc Buchy curated by Dorothée Duvivier, from March 25 to May 8, 2022, The New Space, 234 rue Vivegnis, 4000 Liège.