-
The price is worth it
Acher
Boulevard d'Avroy 28-30
-
TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
-
V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
-
Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
-
Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
-
La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
-
One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
-
Cityscape
Sarah Lauwers
29 Rue de l'Université
-
Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
-
Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
-
Vapeurs
Eva Mancuso
5 Rue Chéravoie
-
Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
-
Actions !
Maxence Mathieu
56 Rue Saint-Gilles
-
On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
-
Travel Local, Buy Local
Oya
107 Féronstrée
-
Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
-
22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
-
Chronique florale
Ionut Popa
101 Féronstrée
-
The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
-
Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
-
Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
-
Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
-
Je m’organise…
Leen Vandierendonck
159 Féronstrée
-
Wer rettet die Welt
Paul Waak
16 Rue du Palais
-
Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
-
Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
Cheminée
#8
Lucie Marchand
Open call
18831b Rue de la Cathédrale
The city is a physical and human place that defines needs, an environment and a culture. It is a complex place that shows the organization of a space that is constantly changing, because of the activity of humans in a given context: a physical, environmental, economic, social, political or even cultural context. This urban environment is an ecosystem in its own right that constantly interacts with its inhabitants.
This column – which, in the collective imagination, resembles a large chimney and which can make us think of the rural world as well as the industrial world – is designed to evolve over time. Initially made up of vacuum, it will gradually “fill” with this dark matter that is a petroleum derivative, bitumen.
This material is used both on roofs as a water repellent or as a binder in asphalt and seems perfect to illustrate the forgotten omnipresence. I want to make this material visible and develop its aesthetic form.
This material, which is frozen when it is cold and softens at room temperature, offers the opportunity to create an evolving sculpture.
The window that normally serves to attract customers and gives an attraction to what it displays, here carries black, dirty and smelly materials that nonetheless poetically arouse an interest in our energy consumption.
Energy consumption because, at its top, hides an incandescent bulb which, thanks to the programmer, comes on intermittently. By this action, this bulb, which carries energy, heats up the bitumen which is a representation of the unit of measurement that we use as a global reference in terms of gross energy – the ton of oil equivalent.