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The price is worth it
Acher
9 Rue de la Violette, 4000 Liège
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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#8
Chantal Le Doux
Curator: Marie-Claire Krell
18725 En Féronstrée
Chantal Le Doux creates a tender embroidery of colours and geometric shapes in different materials. While her work evokes connotations of tribalism as well as craftsmanship, it is never without a sense of the contemporary.
Trained as a painter, Le Doux somehow forgot that classical paintings usually comprise of canvases. She paints on walls and wooden slats, with neon tubes and textiles. Her work is a fusion of different shapes playing with the ambiguity of symbolism through which she creates an own yet unknown language.
Her spacial paintings seem to tell tales of a thousand and one nights, mirroring ornaments of Oriental carpets or Aladdins enchanted lamp. Snippets reflect the mysterious aspects of Indonesian shadowplay, only giving an indication of a face, a figure and its appearance. By playing with light and shadows in all its shades and forms, she sets different moods with all kinds of possible stories open to us, as miscellaneous things can happen in the duality of the dark…
Through her work Le Doux explores the role of the unconscious, confronting the viewer with her own set-up of a Rorschach test: There are no “correct” or “wrong” answers, not just one tale to follow. An important part of Le Doux’ artistic work is her continuous rearrangement of the various components, allowing the objects to be broken down, only to give them an appearance again, later, in a new context. Her art and way of story-telling is not ultimately fixed in one final image, but subjected to an endless intuitive process.