-
The price is worth it
Acher
Boulevard d'Avroy 28-30
-
TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
-
V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
-
Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
-
Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
-
La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
-
One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
-
Cityscape
Sarah Lauwers
29 Rue de l'Université
-
Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
-
Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
-
Vapeurs
Eva Mancuso
5 Rue Chéravoie
-
Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
-
Actions !
Maxence Mathieu
56 Rue Saint-Gilles
-
On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
-
Travel Local, Buy Local
Oya
107 Féronstrée
-
Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
-
22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
-
Chronique florale
Ionut Popa
101 Féronstrée
-
The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
-
Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
-
Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
-
Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
-
Je m’organise…
Leen Vandierendonck
159 Féronstrée
-
Wer rettet die Welt
Paul Waak
16 Rue du Palais
-
Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
-
Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25
Tobidashi boys
#8
Loïc Moons
Curator: Mikail Koçak
189137 En Féronstrée
Painter Loïc Moons graduated from the École Supérieure des Arts de la Ville de Liège. He is a fan of anime, stylish clothing and cycling; and cultivates the image of refined hype. As a real follower of the genre, in his practice, he collects images and references that are connected to Japanese pop culture.
For this eighth edition of Art au Centre, Loïc Moons composes pictorial elements from signs he borrowed from Japanese road signs. Stripped of the traditional codes of the real Tobidashi, which a well-Westernized Westerner would not understand anyway (are they placed there to warn motorists that pedestrians throw balls on the road or alert pedestrians to the danger of playing on the road?), Loïc Moons’ installation invites passers-by to give meanings to the characters’ jaded or sad faces, explosive speech bubbles and cut-out silhouettes.
Let’s note the touch of humor in this installation that unambiguously requests our interpretations, as contemporary art generally does by working on the imagination and unlike modern everyday life which will tend to padlock it.